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    Acrylic Ink on 18x 24 in. Wood Panel.

    Pocket Comb.

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        Florence Welch`s home in South London photographed by Angelo Pennetta for Vogue, May 2013

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          Yesterday we published Fritz Goro’s grim, eye-opening photos of Chicago slums from 1954. As we looked through his many, many contact sheets to put together this gallery, we discovered a subset of different photos made while on this assignment — of a dog who smokes out of a pipe.

          You know what, some things, like this, you just can’t explain. Enjoy!

          (Fritz Goro—Time & Life Pictures/Getty Images)

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              Camera Canon EOS 5D Mark II
              ISO 800
              Aperture f/3.5
              Exposure 1/60th
              Focal Length 50mm
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                  Camera Epson PerfectionV500
                  Gig Poster Design

                  A couple of gig poster designs created by LandLand, a graphic design and illustration studio, based in Minneapolis and founded by Dan Black, Matt Zaun and Jessica Seamans in 2007.

                  More gig posters by LandLand on WE AND THE COLOR
                  WATC//Facebook//Twitter//Google+//Pinterest

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                    Vintage Camera Ads IV: Tiny Cameras in the Palm of Your Hand 

                    Photographers, whether amateurs or professionals, have always been fascinated in compact cameras. The smaller and more handy they are, the better and more interesting they are to shoot with! Take a look at some of the tiniest cameras that could fit in the palm of your hand in this installment of Vintage Camera Ads!

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                      Camera Fujifilm FinePix S602 ZOOM
                      ISO 160
                      Aperture f/4.5
                      Exposure 1/50th
                      Focal Length 18mm

                      “To anyone in the art world who wants to get out I am inclined to say: perhaps you’re in the wrong place. On a more fundamental level, however, the problem with public declarations of one’s longing for ‘leaving art’ – the title, incidentally, of a collection of essays by Suzanne Lacy published in 2010 – is that they necessarily presuppose an antinomy between art and what is invariably referred to as the ‘real world’ (or worse, ‘real life’), and that one is better than the other because it has us believe that it is more real. Anyone who believes that art is not part of the real world – that one can only enter the latter on condition of leaving the former – should be forgiven for wanting to leave art behind, because he or she is clearly wedded to the wrong notion of art, one that is pathologically disconnected from the real world. If, that is, we agree with their presupposition: that this world supposedly ‘out there’, free of all things art, is indeed the real one.”

                      + Can I Go Now?: Trying to leave the art world (Frieze)

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